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You received your new speakers and you want to get them playing, stat! But if you don't take time to make sure they're set up right you might end up underwhelmed. Read or watch our the top Home Theater Set Up Mistakes we see.
Separate amplifier and processor? That's just for quirky audiophiles, right? Maybe not . . . Andrew Welker explains why movie lovers and classical music aficionados might want to go that route, too.
Because we offer both subwoofers and power amplifiers that have XLR or balanced cable connections, we often get the question from our customers, "Well, should I use that XLR, that balanced connection, or should I just use the RCA connection?"
Today, we're going to talk about a topic that a lot of our customers ask us and unfortunately, it's one of those very confusing, frustrating and even scary topics for people when it comes to speaker systems and that is the speaker load or the speaker impedance as it's called.
Today, we're going to talk about how to wire up multiple subwoofers. Now we are big advocates of having more than one subwoofer in your system because it really smooths out the low frequency bass and response in the room.
Today, we're going to talk a little bit about the controls and the functions that are available on the back of our subwoofers. These days, most of the actual setup and the adjustments that you're going to be doing can be done within the menus of your home theater receiver or processor.
After graduating with a degree in Electrical Engineering Andrew went on to join the R&D team at API (Audio Products International) makers of Energy and Mirage product lines. He was working directly for API's head of engineering Ian Paisley, who was also a member of that handful of loudspeaker designers who participated in the NRC research project, and to quote Ian Colquhoun "one of the finest loudspeaker designers to ever grace this planet".
Andrew spent over 10 years at API and ended up being the head designer for all the Mirage products. Andrew is a brilliant loudspeaker designer who has a broad knowledge of everything audio and a particular expertise in the science relating to the omni-directional psychoacoustical effects of loudspeaker reproduction. Andrew joined Axiom in 2009.
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