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#383550 - 10/01/12 09:02 PM Re: Sounded like Neal had a great idea until... [Re: Murph]
Boltron Offline
veteran

Registered: 11/18/11
Posts: 170
Loc: Toronto
This has been interesting. We looked at bit depth, what about sampling rate?

BTW, I pick 3 and 5.
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#383553 - 10/01/12 10:04 PM Re: Sounded like Neal had a great idea until... [Re: ClubNeon]
pmbuko Offline
shareholder in the making

Registered: 04/02/03
Posts: 16267
Loc: Leesburg, Virginia
If I cut out a 20 second chunk from each track, starting from about 1:25, using Audacity, would it negatively affect the samples at all? I want to be able to easily play the same chunk of music from each track quickly back and forth.
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#383554 - 10/01/12 10:13 PM Re: Sounded like Neal had a great idea until... [Re: pmbuko]
pmbuko Offline
shareholder in the making

Registered: 04/02/03
Posts: 16267
Loc: Leesburg, Virginia
I have another idea. Could you randomly -- and by randomly, I mean assign digits 1 through n to the different versions of the track -- string together 15-second cuts of different tracks so that you're left with a seamless track that smoothly transitions between bit-rates?

The overall goal would be for the listener to identify which 15 second spans are encoded with the highest quality, starting at time index 0:00, 0:15, 0:30, etc. Since you'd assign the parts randomly, you may end up with a few consecutive spans of the same quality. With the chunks only being 15 seconds long, you'd also increase your chances of using all the bit-rates before the end of the track.
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#383555 - 10/01/12 10:25 PM Re: Sounded like Neal had a great idea until... [Re: ClubNeon]
JohnK Offline
shareholder in the making

Registered: 05/11/02
Posts: 10372
Very good, Chris. Although my previous personal experience and study of other test results didn't leave much doubt that both 320 kbps CBR or the "extreme"VBR(around mid 200s kbps)would be audibly transparent(even with about 80% of the audio data discarded), I listened on both speakers and headphones.

I paid special attention to the first 12 seconds before the singing attempt began, particularly the 9th though 12th notes, which have the sort of content which might demonstrate a difference. After several trials on each of the four samples, nothing was heard would support anything beyond a pure guess.

This might be surprising to some who claim to be able to hear a difference even between pieces of connecting wire, but it's the reality of modern audio technology.
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#383556 - 10/01/12 11:10 PM Re: Sounded like Neal had a great idea until... [Re: Boltron]
ClubNeon Offline
connoisseur

Registered: 02/06/09
Posts: 3448
Loc: Western Maryland, USA
Originally Posted By: Boltron
This has been interesting. We looked at bit depth, what about sampling rate?

I can try something with sampling rate. But while I'm sure of 0-filling LSBs, in order to make the files the same size. I'd have to take a higher sampling rate, and downsample it, and then upsample it again, and that may not be as clear cut.

I'll play around, and see if there are any extremely obvious tell-tale signs that would make the test inaccurate.
_________________________
Pioneer VSX-1018AH-K, PDP-5020FD, DV-79AVi
Axiom M22s, VP150, QS8s
Sony PS3, surround backs
-Chris

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#383558 - 10/01/12 11:16 PM Re: Sounded like Neal had a great idea until... [Re: pmbuko]
ClubNeon Offline
connoisseur

Registered: 02/06/09
Posts: 3448
Loc: Western Maryland, USA
Originally Posted By: pmbuko
If I cut out a 20 second chunk from each track, starting from about 1:25, using Audacity, would it negatively affect the samples at all? I want to be able to easily play the same chunk of music from each track quickly back and forth.

No, nothing wrong with doing that. Of course it's also possible to use Audacity to cheat, but you won't do that, right? smile

As for identifying 15 second segments of one track. I can do that. In fact I was flipping between bit-depths as I was preparing the test. I could identify 8 and 12-bit, but 16-, 20-, and 24-bit all sounded the same to me. I'm just not that sure of how good a test it would be. It's hard to say, "this is 16-bit," without having something to compare against.
_________________________
Pioneer VSX-1018AH-K, PDP-5020FD, DV-79AVi
Axiom M22s, VP150, QS8s
Sony PS3, surround backs
-Chris

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#383559 - 10/01/12 11:23 PM Re: Sounded like Neal had a great idea until... [Re: JohnK]
ClubNeon Offline
connoisseur

Registered: 02/06/09
Posts: 3448
Loc: Western Maryland, USA
Originally Posted By: JohnK
I paid special attention to the first 12 seconds before the singing attempt began, particularly the 9th though 12th notes, which have the sort of content which might demonstrate a difference. After several trials on each of the four samples, nothing was heard would support anything beyond a pure guess.

Yeah. smile And as I've said, that first test was really absolutely worse case, and I couldn't tell the difference.

Did you check out the second set of tracks? (You might like the music too.) I'm glad that I had the option for 8- and 12-bit output, or I would have never believed that the dithering software I was using was even doing anything (actually, I can see it doing something on the VU meter at the higher depths, but I can't hear it).
_________________________
Pioneer VSX-1018AH-K, PDP-5020FD, DV-79AVi
Axiom M22s, VP150, QS8s
Sony PS3, surround backs
-Chris

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#383560 - 10/02/12 12:10 AM Re: Sounded like Neal had a great idea until... [Re: Murph]
ClubNeon Offline
connoisseur

Registered: 02/06/09
Posts: 3448
Loc: Western Maryland, USA
Oh, and a fun fact. I was going to use a track from R.E.M. for this second test, but as I was processing it, my digital clip indicator came on. This is why we can't have nice things, the engineer was given 24-bits and he still slammed it into a brick wall. (Although it's no were near as bad as The Flaming Lips', At War with the Mystics.)
_________________________
Pioneer VSX-1018AH-K, PDP-5020FD, DV-79AVi
Axiom M22s, VP150, QS8s
Sony PS3, surround backs
-Chris

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#383562 - 10/02/12 02:46 AM Re: Sounded like Neal had a great idea until... [Re: ClubNeon]
JohnK Offline
shareholder in the making

Registered: 05/11/02
Posts: 10372
Okay, I listened to the Carmina Burana samples(Thielemann?). Quite dynamic, but nothing that can't be handled easily with 16 bits. The dynamic range on all was about 50dB, from the upper 50s to a max of 106dB on my SPL meter, and sounded identical.
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Enjoy the music, not the equipment.



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#383569 - 10/02/12 09:53 AM Re: Sounded like Neal had a great idea until... [Re: Murph]
ClubNeon Offline
connoisseur

Registered: 02/06/09
Posts: 3448
Loc: Western Maryland, USA
The dithering raised the noise floor up to -80 dB, but that's still well below the audible threshold.

And yeah, it was Thielemann. I actually quite like that disc.
_________________________
Pioneer VSX-1018AH-K, PDP-5020FD, DV-79AVi
Axiom M22s, VP150, QS8s
Sony PS3, surround backs
-Chris

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