I will chime in here.
I use an SVS 16-46 PCi sub. My Behringer DSP-1124P equalizes it to flat within 1db in my room. Here is the way I accomplished it.
First, I downloaded sine waves from the web. I downloaded all sine waves from 16hz to 150hz. I made them into 10 second segments with equal amplitude. I then burned them to CD.
Next, I downloaded the equilization curve for my analog Rat Shack Sound Level Meter. If you have ever used one, you know that they do not measure flat readings...they need to be corrected. I corrrected with the values that can be found (every 5hz), then I interpolated the single hz values in between. I inputted these values into an Excel spreadsheet, hz by hz, so that when I entered the SPL reading into the first column of the spreadsheet, the second column would be the corrected value. This is as accurate as I can get with my equipment.
I then picked a time when nobody was home for a few hours. I played the sine wave CD back at normal listening levels with my speakers off and only the sub running. I recorded the SPL on the spreadsheet, which spit out corrected values. At 10 seconds per tone, this takes about 20 minutes.
Once completed, I looked at the worst area that I found on the spreadsheet. I used the first parametric filter on the BFD to equalize it. This takes time and some math, as it is easy to get the boost or cut correct, but takes a bit of math to get the perfect center frequency, and even more math to get the best bandwidth setting.
Once corrected, I looked for the next worst area and repeated. My first pass used 6 filters. When I thought I had it complete, I ran the test tones again and re-measured. I then found other, new areas that needed correction. That is the cool part of the BFD...you can create a fully parametric filter over the top of one you have already created! My second pass used 7 filters which were much smaller in scope. I ran a third pass with the test tones and found 7 more small areas of correction. My last pas was done and I utilized 4 very small corrections.
When finished, I ran the tones one more time. I was flat from 30-100hz to within 1db, and I was +1.5 db from 30hz down to 18hz, with a dropoff back to average at 16hz. above 100hz, I was within 2db to 150hz. Once I set the crossovers, the upper frequencies went out of play. The lowest octave was boosted because I wanted it just a touch higher, not because I couldn't flatten it any better.
This is a 12 band fully parametric stereo EQ which has the ability to become a 24 band parametric EQ in mono.
Very large room nodes can not be boosted much, so as a previous poster said, you can lower the surrounding areas, then work from there.
Don't get me wrong...first I worked with sub placement and seating placement. Then I worked with room accoustics. The EQ was last, but it does work wonders.
After EQing ths sub, I created another test CD with tones from 20hz to 20khz spaced at 1/6 octave. I used this to EQ my mains, center and surround. I proceeded the same way, but I used digital 31 band Behringer EQs for each channel. Again, only the channel that I was EQing was active, so there was no effect from other speakers or the sub.
Once all of the speakers were EQed, I set the correct levels for each, then set the crossover points. Once finished, it took a few days of listening to get used to the neutral sound. At first, it seemed a bit thin. Once I got used to it, I realized that this is truly what uncolored sound is like. Nuances that I had never noticed before appeared. Everything sounded "alive". The room disappeared.
Switching the EQs off now produces sound that I do not like...at all! Once my ears became trained on the EQed system, I could not go back. Granted, my un-EQed system still sounds better than most of the people we visit, but they generally have small systems thrown together just to have surround sound...some are even cheap boxed systems.
The EQed system is killer, and it all starts with the BFD.
Bill
EDITED for spelling.
Last edited by willscary; 03/01/09 08:02 PM.
