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Re: Speaker sound
#49355 06/15/04 09:59 PM
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For those of you offended by smilies, things are supposed to be big in Texas...Try this on for size...


WhatFurrer


"Meddle not in the affairs of Dragons, for you are crunchy and good with ketchup..."
Re: Speaker sound
#49356 06/15/04 11:13 PM
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axiomite
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OH YEAH? Take this!




Jack

"People generally quarrel because they cannot argue." - G. K. Chesterton
Re: Speaker sound
#49357 06/16/04 02:28 AM
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R
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R
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I scoff at you!!!



Re: Speaker sound
#49358 06/16/04 02:54 AM
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axiomite
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axiomite
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Ah Ha! Smiley wars. Attack of the dopes!


Jack

"People generally quarrel because they cannot argue." - G. K. Chesterton
Re: Speaker sound
#49359 06/16/04 02:57 AM
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...and now imagine thoughts of someone new to this forum coming straight to this thread...

Re: Speaker sound
#49360 06/16/04 03:45 AM
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shareholder in the making
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eh, whatever. If they don't like us now, they won't like us later.


I am the Doctor, and THIS... is my SPOON!
Re: Speaker sound
#49361 06/16/04 01:07 PM
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LT61 Offline OP
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Cd's that are 20 or 24bit tend to be much louder when compared with a 16bit cd, at the same setting on you're
reciever. This is the best way to tell "unmarked"cd's
mastering. Some are not totally re-mastered, just made on
20 or 24bit equipment.

Last edited by LT61; 06/16/04 01:08 PM.

LIFE: "Choices, balance, and timing"

(Larryism)
Re: Speaker sound
#49362 06/16/04 05:03 PM
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I wouldn't make such a generalization, as loudness has nothing really to do with the resolution of the disc. In general, pop and rock CDs are mastered at a much louder level than classical and jazz, whether they used a 16-bit or 20-bit process.

Re: Speaker sound
#49363 06/16/04 05:39 PM
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LT61 Offline OP
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I'm not, all the levels are up on remasters of any music type, [aad, add,discs,] this makes them "louder".Anyone with an eq.,
that has a spectrum analizer will see the levels higher on 20,24bit re-masters. [I had an eq. with my old system.]

Last edited by LT61; 06/16/04 05:44 PM.

LIFE: "Choices, balance, and timing"

(Larryism)
Re: Speaker sound
#49364 06/17/04 05:16 AM
Joined: Jan 2004
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Just to add my .02 cents worth on this topic.

2 thoughts:

1. The person who is leading a remastering project for an album has a tremendous amount to do with how it turns out. I'm not trying to discount compression/bit rates etc... But, when you hear some of the old Zeppelin stuff remastered by Jimmy Page, you understand that that guy has a set of ears on him. Houses of the Holy re-mastered -- Oooh Aaah.

2. I think the recording studios that were used for the original tapes has a lot to do with how the CDs sound. I think the 70s introduced a lot of new concepts in studios that were just flat out wrong. Consequently, there is a lot of bad stuff that know matter how they try to remaster sounds like junk. ESPECIALLY on good speakers like Axioms.

Latest CD that was awesome on the Axioms, Chicago II, tracks: AM Morning, PM Morning, Memories of Love. The French horn jumps to life on the Axioms.





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