The book I linked had one standout eureka point: If you reduce the rt60 or decay time in your room lower than the recording’s global decay, yourbrain is foooled that the recording’s acoustic space is your own.
Exceptional hint for movie playback realism.
interesting, but intuitively seems like a incomplete statement taken on it’s own.
Mainly say that because a completely dead room would qualify... and I’m fairly sure that It wouldn’t be the best sounding room for 2 channel playback.
Anyway, I’ve read stuff on rt60 before ... and I think I’m at the point that I need hands on experience to drive these points home. Once I get back on the theater project I’ll start experimenting a bit (probably use REW).
