I know that some of the AVS crowd that was upset about DK were upset about the format swap based on their expensive 2.4:1 projectors/screens. When it kicks to the IMAX images, they have screen size problems. I for one love the IMAX images. I noticed the first change, (from IMAX to film) but after that it was hard to remember that the screen had switched from 16:9 to 2.4:1. [No correction needed, I'm sure that aint the exact ratios, but you get my point! ;\) ] The stunning quality of the IMAX scenes far overshadows any switching "problem", as I found the switching to be almost imperceptible in a dark room.

And according to the extras, the BR transfer is actually better than the 35mm transfer used in local theaters. I may have this wrong, but I think they said it was scaled down to fit on 35mm (which is 9 times smaller in terms of content). But BR lets them put the full (or, more full) content for us to see in HD. The physical comparison of the 70mm to 35mm film is suprising.

And I don't know what image problems people have found. I'm sure they are there, but the images are staggering - at least on my humble TV. One of the reasons I posted this thread is that I want to know if the 1080p projector crowd has a mild or mixed reaction to the film's quality. If so, I'm less anxious to get a projector because I really enjoyed this film at home and I don't expect much better than IMAX quality in my humble theater any time soon. If they are blown away by it, then I know I want in.



Panny 3000 PJ, 118" Carada, Denon 3300, PS3, Axiom QS8, PSB 5T, B&W sub, levitating speaker wire